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Q:
What is a direct box anyway?
A: A direct box is an impedance matching and signal-balancing device.
DI's convert hi-impedance instrument signals to mic-level balanced
lines for interface with pro-audio equipment such as mixing consoles.
A good direct box will ensure proper electrical signals are maintained
throughout the signal chain and allow long cable runs without added
noise. A good DI box is just as important as a good microphone.
Q:
What is the difference between a passive and an active DI?
A: Passive direct boxes use a transformer to convert the electrical
signals while active direct boxes use an amplifier circuit. Passive
boxes have the advantage of providing isolation which can reduce
ground hum in systems.
Q:
I heard active direct boxes are better?
A: This can be thought in terms of a dynamic mic compared to a condenser
mic. There are good dynamic mics and there are good condenser mics.
A good passive direct box depends entirely on the transformer that
is being used. For instance, the Radial JDI uses the world's finest
transformer, a Jensen. These DI's sound fabulous! In fact way better
than most active direct boxes!
Q:
If the JDI is so good, why should one buy the JDV over the JDI?
A: It comes down to the application. For keyboards, and simple live
set-ups, the JDI is fantastic. No power supply, no batteries to
go dead. You just plug it in and it sounds great. The JDV on the
other hand will give you more reach. You will enjoy more detail
or as Khaliq Glover (Engineer for Marcus Miller and Herbie Hancock)
said: “the JDV is almost holographic compared to the single
dimension of most DIs.”
Q:
Why do people use active direct boxes?
A: Because a good passive direct box requires a good transformer
and these are expensive. The Radial JDI uses a Jensen Transformer
and these are considered the best in the world. Active boxes can
be made for much less money and will generally sound better than
a cheap passive box.
Q:
So why not simply buy an active direct box?
A: Active DI's can be good but they can have several disadvantages:
First and foremost, active direct boxes require power. This means
that they must either run off batteries, phantom power from the
console or use a power source like a 'wall-wart' or AC/DC supply.
When the power is low, they distort. This means that for the direct
box to work well, you must keep the batteries at full charge which
is impractical if not impossible.
Q:
What about phantom power?
A: Phantom power is a DC supply that comes from the mixing console.
The phantom powered direct box draws its power from the console
through the balanced mic cable. The problem is that phantom power
is rarely sufficient to properly supply the direct box. This 'starves'
the amplifier and limits its ability to handle dynamics without
distortion. The Radial J48 is a low-power consumption DI that addresses
this problem by ensuring maximum available power is diverted to
the signal path so that full dynamics may be enjoyed without distortion.
Q:
Why use an active direct box at all?
A: Sound. Some active boxes like the Radial JDV have exceptional
sound and a frequency response that is well beyond the norm. Furthermore,
when using low output devices such as piezo pickups, these require
the added 'gain' that an active box can supply. Finally, when using
older vintage instruments that have low-output pick-ups, one can
encounter a 'loading' effect whereby the pickup is not able to drive
both the stage amplifier and the 300 feet of cable to the mix position.
An active box will not load down the pickup where the passive box
may. The JDI is extremely efficient but being passive, can cause
loading on these rare occasions.
Q:
What else should I look for should I decide to go active?
A: Probably the most important specification to look for is IMD
or inter-modulation distortion. The test beats two dissonant tones
together to measure the robustness of the circuit design . This
is akin to playing two dissonant notes on a piano. Some pianos when
well tuned somehow manage to sound good, while others just plain
sound bad. This test is rarely done on direct boxes as most fail
miserably. Check out the Mix Magazine “Seven for the Road”
direct box comparative test and review on our web site at www.radialeng.com
for more details on IMD.
Q:
So I should go active? I'm confused!
A: No. The decision between active and passive is based on application.
If you are using the DI primarily in live situations, we usually
recommend the JDI as it is both trouble free and is adaptable to
a wide range of applications. Today, most bass guitars have extremely
powerful pick-ups or have built-in active circuits. Acoustics are
the same. Keyboards have tons of gain. And who dares to use a vintage
1955 Pre-bass live anymore?
Q:
What makes the JDI better than the rest?
A: A good direct box needs to address several facets to be functional:
The sound, the feature-set and construction are all essential parts
that make up the whole.
Lets start with the construction. The JDI is in fact two boxes in
one. The inner skeleton features a 14-gauge welded construction
in which the PC board, circuit, transformer and switches are housed.
Lift up the JDI and you know you are dealing with quality. The rigid
design ensures that there will not be any stress on the PC board
(mil spec 2-sided) and the solder joints will remain intact even
after years of use. The outer book-end design provides easy access
to the connectors while creating a protective zone for the switches.
In the real world of touring, DI boxes are stepped on & abused.
Radial DI’s must be able to stand-up to the abuse.
As for feature set, we know of no other DI box that offers as many
features. This makes the JDI practical in pretty much any application.
Finally, the sound. Check out the specifications and you will find
that it is extremely linear from 20Hz to 20kHz, it exhibits almost
no distortion in the most rigorous and demanding 20Hz region and
with virtually zero-phase distortion throughout the audio bandwidth,
what you put in - you get out. Nothing added, nothing changed.
Radial - True to the Music™
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