|
 |
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| Adrian
Belew
www.adrianbelew.net |
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| (King
Crimson, Frank Zappa, David Bowie,
Talking Heads, Peter Wolf, Paul
Simon, Nine Inch Nails, Tori Amos,
Cindy Lauper, William Shatner,
Grammy nominated recording artist) |
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| "Radial
makes products no one else has
thought to make and builds them
better than anyone else can." |
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| Allan
Holdsworth
www.therealallanholdsworth.com |
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| (Soft
Machine, Tony Williams Lifetime,
Guitar Player magazine hall of
fame) |
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| "The
Radial Switchbone sounds great!
It is the best ABY box that I
have used and the transformer
isolation makes it easy to combine
any two amps without noise." |
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|
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|
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| Andy
Timmons
www.andytimmons.com |
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|
| (ATB,
Danger Danger) |
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| "I've
used Radial both live and in the studio
and am truly impressed. Great stuff!
Radial is at the cutting edge of guitar
tone improvement!" |
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|
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| Brent
Mason
www.brentmason.com |
 |

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| (Nashville's
busiest sesson guitarist) |
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| "The
Radial Cabbone has made my life so much
easier. Now on a session there is no
hassle of switching speaker cables manually
between cabs. At a click of a switch
it's done! Best of all, the Cabbone
does not mess with my tone!" |
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|
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| Duke
Robillard
www.dukerobillard.com
|
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  |
| (Roomfull
of Blues, Fabulous Thunderbirds, Jimmy
Witherspoon, Bob Dylan) |
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| "The
Trimode is great! I especially love
how it turns a solid state amp into
a great sounding tube amp. I can't say
I use it on everything, but with quite
a few of my amp set-ups it really works
out perfectly." |
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|
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| Frank
Gambale
www.frankgambale.com |
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| (Chick
Corea, Grammy award winner - Elektric
Band) |
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"I
recently did some recording with Chick
Corea where we used the Hot British
to record direct. As sceptical as I
am about direct devices for guitar sounds,
the Radial Tonebone Hot British surprised
me with its variety and quality of tone.
Chick loved it and so did I. It sounds
great! Well done guys!" |
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|
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| Jeff
Waters
www.annihilatormetal.com/annihilator_main.html |
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| (Annihilator) |
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| "The
Tonebone Hot British gives me the many
different "levels" of warmth
and distortion that I need for crunchy,
yet tight, rhythm metal guitar playing
and allows me to get very different
tones for soloing. For leads, I can
find various settings that give me distinctly
different solo sounds, from clean and
"bitey", to messy and ear-piercing...
all this in one pedal. The Hot British
is amazing." |
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| Joe
Nichols
www.joenichols.com |
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| (Solo
Artist) |
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| "After
inserting the two guitarists' SGI's,
we heard those words all engineers long
for..."hey, that sounds better".
These devices are outstanding. I love
the fact I can remote a guitar amp 50
meters and not even blink. Thanks!"
~ Chris 'Sully' Sullivan, FOH - Joe
Nichols |
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|
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| Joe
Perry
www.joeperrymusic.com |
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  |
| (Aerosmith) |
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| "Since
adding the Radial JD7, SGI and Headbone
to my rig, my sound on stage has never
been better!" |
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|
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| John
Rzeznik
www.googoodolls.com |
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|
| (Goo
Go Dolls) |
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| "Whether
we are playing live or recording in
the studio, Radial DIs are the only
ones we use. They're built like tanks
and eliminate noise without killing
tone. I love them." |
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|
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 |
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| Johnny
A
www.johnnya.com |
 |

|
| (Favoured
Nations recording artist) |
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| "For
me, the key to a great pedal is it's
ability to be transparent when not engaged.
The 'Switchbone' gives my rig plenty
of options when called upon, but also
stays out of the way when not! The Switchbone
is Amazing!" |
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|
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| Juanes
www.juanes.net |
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|
| (Solo
artist, twelve-time Latin Grammy Award
winner) |
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| "My
Tonebone Classic distortion sounds very
good! It has a solid bottom end and
wide range of colors." |
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|
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| Keith
Scott
www.myspace.com/bryanadams |
 |

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| (Bryan
Adams) |
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| "I
Love my new tri-mode pedal. The versatility
and sounds are so inspiring! A great
piece of equipment in any application,
studio or live. Well done radial engineering!" |
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|
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| Kerry
King
www.slayer.net |
 |

  |
| (Slayer) |
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| "The
JDX captures my sound with previously
unobtainable control and clairity, offering
our soundman a direct injection of sonic
rage!"... "Radial gear is
incredibly roadworthy and has improved
my overall tone. I get less hum and
buzz and a cleaner signal. Awesome!
Radial gear rules." |
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|
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| Lyle
Workman
www.lyleworkman.com |
 |

  |
| (Beck,
Todd Rundgren, movie soundtracks: Superbad,
40-year old virgin, Made) |
 |
| "The
Switchbone is a must have for anyone
needing a AB-Y pedal to switch between
two amps. It assures that both amps
are properly grounded AND in phase,
and sounds better than any other AB-Y
box I've ever heard. The variable boost
sounds great and is a Godsend to have
on board... This pedal is a complete
winner." |
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|
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 |
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| Mark
Tremonti
www.marktremonti.net |
 |

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| (Alter
Bridge, Creed) |
 |
| "For
years I've been trying to combine all
of my favorite tones on stage without
carrying a ton of amps and cabinets
on stage. The Headbone helps me get
there. Thank God I found it. I only
wish I had it years ago... I love my
Headbone!" |
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|
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 |
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| Michael
Cusson
www.michelcusson.com |
 |

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| (UZEB,
multi-award winning film score &
TV composer) |
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"I
was blown right away when I first patched
the JD-7. It changed the way I record
guitars; a very creative tool."
|
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|
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| Myles
Goodwyn
www.aprilwine.ca/myles.html |
 |

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| (April
Wine) |
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"The
Headbone works exactly like I hoped
it would. I can now switch back &
forth between the Marshall 2000 and
the Peavey 5150 for greater tone options
while giving me an instant back-up should
ever an amp go down. After 55 gigs,
the Headbone has worked flawlessly.
Kudos to Radial for inventing such a
useful device"
~ Brit Fader, Guitar Tech - April Wine
|
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|
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 |
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| Neal
Schon
wwww.schonmusic.com |
 |

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| (Journey,
Santana) |
 |
| "Tonebone
pedals sound great! They are incredibly
responsive, dynamic and warm. Best of
all, they react like a real amp-channel.
Perfect for cleaner amps that need that
extra kick!" |
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|
 |
 |
 |
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| Nick
Sterling
www.nicksterling.com |
 |

   |
| (Recording
artist) |
 |
| "The
J48 direct box takes my signal straight
into the console. This is the DI I use
to get my signal into my DAW and then
back out through the X amp for re-amping.
The X-amp is really, really cool in
the studio. It gets me out from behind
the guitar and bass so I can do some
engineering. It gives you the option
of choosing the right amp for the track.
Super cool product!" |
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