|
|
 |
|
 |
Radial
HotShot™ ABi line
input selector |

View
HotSot ABi • View
HotShot ABo
 |
Radial
HotShot™ABi - order # R800 1508
|
 |
Suggested
retail: $100 USD  |
 |
|
 |
On-stage
line input signal AB redirector
Toggle
switch for one-push operation
Pads
allow using devices with different signal levels
Ground
lift to eliminate buzz caused by ground loops
Heavy-duty
construction, switches and components |
| |
The HotShot ABi is a balanced signal source selector
that allows the user to instantly select between
two signal sources by depressing a latching footswitch.
As it is completely passive, powering is not required
to make it work.
The HotShot ABi is ideal for applications such as
switching between two dynamic microphones on a stage
or selecting between two audio sources. The latching
switch also opens the door for other useful operations:
These include using the HotShot ABi as a mute to
turn off a microphone; to select between two wireless
receivers for live sound system backup; for stereo
guitars it can be used to select between two instruments;
and for community hall assemblies, it provides the
moderator with remote control over two audience
microphones.
Ultra compact and extremely rugged, the HotShot
is made tough for years of trouble free performance
and is backed-up with a 3-year transferable warranty. |
|
|
 |
|
 |
  |
 |

|
 |
 |
|
HotShot™
ABi - select between two mics on stage:
Use
the ABi to select between two mics on stage!
Great for multi-instrumentalists that may
require a mic over a keyboard and another
when playing guitar.
In
this setup:
• Mic-1 goes into ABi's INPUT-A jack.
Set Pad switch for Mic-1
• Mic-2 goes into ABi's INPUT-B jack.
Set Pad, TRIM LIFT for Mic-2
• Connect OUTPUT to mixer/recorder/PA
system.
|
|
   |

|
 |
 |
|
HotShot™
ABi - select between two sources:
Use
the ABi to select between a iPod and a computer
for audio visual presentations. Easy to
use with balanced and unbalanced signals
and can be made to work with unbalanced
stereo signals with shared grounds.
In
this setup:
• iPod goes to the ABi's INPUT-A using
1/8" to XLR insert cable
• Computer sound output connects to
INPUT-B w/similar cable
• Set TRIM to match input levels,
PADs to lower to mic level
• Set LIFT to lift Input-B ground
and quell buzz if required |
|
   |

|
 |
 |
|
HotShot™
ABi - select between 'on' and 'mute':
In
its simplest form, use the ABi as a mute
foot switch to allow the entertainer to
clear his throat or cough without the offensive
sounds reaching the audience. Furthermore,
by reducing the number of mics that are
‘active’ on stage, one can significantly
reduce the spill and leakage; the most common
cause of stage feedback.
In
this setup:
• Microphione into INPUT-A jack
• Notheing connected to INPUT-B
• OUTPUT connected to mixer > A-B
toggle mutes mic
|
|
   |

|
 |
|
|
HotShot™
ABi - select between two DI's:
For live performance, you can pare down
your channel count by driving two guitars
or keyboards through direct boxes to the
ABi and then to the mixer. Ideal for passive
DIs like the JDI, ProDI, Duplex or ProD2.
In this setup:
• Keyboard goes into a Radial JDI
direct box, JDI into INPUT-A
•
Guitar preamp goes into a Radial J48, J48
into INPUT-B jack
• Set Pads for each chanel as required,
OUTPUT to mixer
|
|
   |
|
 |
 |
|