Used to set the desired level of overdrive distortion that will be applied to the signal.
Sets the relative ‘dry-wet’ mix between the original bass tone and the amount of distortion.
Used to tame down overly bright effects or add harmonic content.
Sets the footswitch function to activate the overdrive, effects loop or both.
High pass filter used to roll off excessive resonance and clean up signal.
Footswitch used to toggle between Channel-A and Channel-B.
EQ and Gain for Channel-B
EQ and Gain for Channel-A
Works with mid range to selects between 250Hz, 500hz and 1kHz.
Footswitch mutes all outputs except the tuner out for quiet on-stage tuning.
3.5mm TRS mono headphone output with level control.
Used to adjust the volume for the phones output.
Send & receive ¼” connections for external effects.
Used to reverse the polarity of the effects loop should a pedal reverse the phase.
Routes the balanced output before (pre) or after (post) the effects loop and overdrive.
Built-in active Radial DI to feed the PA or recording system.
Reverses the polarity of the XLR out to phase align sound with PA or reduce feedback.
Lifts pin-1 on the XLR to help eliminate hum and buzz caused by ground loops.
15VDC Power supply input connector.
Power supply input connector.
Boosts the signal and increases the impedance of input-A to 10 meg-ohms for piezo instruments.
Instrument input with ¼” switching jack. Enables the bass connected to input-A to feed channel-B when not in use.
Adjusts the load on a magnetic pickup for a more natural sound.
Combines the two inputs so that they may be mixed together.
Separately buffered, dedicated tuner output is always onsignal.
Bypasses footswitch select function to keep effects loop in circuit at all times.
¼” bass amp output used to feed the artist’s personal stage amplifier