10-segment LED is divided into two: the left side indicates compression while the right conveys the output level. Easy to read and fast, it provides instant visual feedback of signal status.
12 position dial lets you choose between brick-wall limiter, bypass and the Clipper; an ‘old school diode-bridge clipping circuit’ with 10 graduated settings that range from slight clipping to over-the-top distortion.
Three settings with feed-forward auto-detection makes it easy to set the attack and release time constants. Slow for vocals, medium for instruments and fast for percussion.
State of the art FlexKnee compression circuit dynamically transforms from soft to hard knee as it follows the compression ratio setting. Variable with up to 10:1 compression. Single dial control.
Sets up master-slave configuration sharing the same time constant for optimal stereo dynamic coupling while maintaining independent channel compression.
Lets you toggle the threshold between +4dB and -10dB to optimize the input range, making the Komit easy to interface with all types of program material.
Variable up to +22dB provides gain make-up when signals are compressed. Also used to drive the Clipper hard for extra character.
Bypass switch lets you quickly compare the original pre-compressed signal to the settings you have selected on the Komit. Push in to turn on!
Designated as a key input to allow external control over the compressor side chain. Available when used with the Workhorse.
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