The Radial HDI – A Modern Approach to Direct Box Design

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3 Reasons to Reamp

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Church Production magazine reviews the Radial Key-Largo

January 25th, 2018

The following is a review by Loren Alldrin of Church Production Magazine published on January 24, 2018. Many guitarists and sound engineers are familiar with Canadian company Radial, thanks in large part to their top-notch DIs and guitar pedals/amp simulators. If you need to plug an electric guitar, acoustic guitar, bass or other instrument into… Read More

Press Releases

Radial announces the Backtrack is now shipping

January 24th, 2018

Radial Engineering is pleased to announce the Backtrack™ is now shipping. The Backtrack is a compact stereo audio switcher that is perfect for bands running redundant backing tracks on stage, or for switching between any stereo audio sources. Connecting your playback devices to the Backtrack is easy via either dual ¼” TRS or 3.5mm stereo inputs.… Read More

Press Releases

The SAT-2 Stereo Attenuator is Now Shipping!

January 23rd, 2018

Radial is pleased to announce the SAT-2™ is now shipping. The SAT-2 is a passive stereo audio device that provides you with attenuation and control over your signal level wherever you may need it, either at the output of a pair of high-gain mic preamps, or before your studio speakers as a compact desktop monitor controller.Exceptional… Read More

Press Releases

The MIX 2:1 Passive Summing Mixer is Now Shipping

January 23rd, 2018

Radial is pleased to announce the MIX 2:1™ is now shipping. The MIX2:1 is a simple yet highly useful mixer that passively sums two audio channels down to one. This enables you to easily sum the stereo outputs of a console, recording interface, or portable playback device down to mono, or to mix any two signals… Read More


Understanding Power Supplies

January 15th, 2018

One of the most common questions we get asked here at Radial and Tonebone is, “How can I power your products without using the external power supply that was included with the unit?” Before we get into that, we need to understand the basic language of electricity to understand how Radial “powertools” get their power.… Read More


Guitarist Russ Hewitt rides on with Radial

January 10th, 2018

You could say that Nuevo Flamenco artist Russ Hewitt has one of those storied successful arranged marriages… to his career that is. As a student of classical guitar at UNT, the Texas born Hewitt shifted focus and committed to a new style of music that would allow him to keep his schedule full and his… Read More


Mixdown Magazine Reviews the Radial Key-Largo

December 18th, 2017

The following is a review by Rob Gee of Mixdown Magazine, published on November 30, 2017. The team at Radial Engineering have once again proven that they know how to deliver compact devices that solve issues in your audio setup. It is usually guitar or microphone based devices that they come out with, so it… Read More


Ari Raskin walks successfully with his Vagabond Shoes… and Radial gear!

December 7th, 2017

Manhattan based recording/mix engineer, producer and guitarist Ari Raskin has been busy co-producing and mixing a handful of tracks for drum/bass EDM band Break Science but took some time to talk about some of his staple studio gear choices and offers a snapshot of life as a successful freelancer. Before Break Science there was (sticking… Read More


Welcoming Jordan Honsinger of Cold Creek County

November 29th, 2017

It’s been a big year for Cold Creek County. They released the Homemade EP, made the front cover of Canadian Musician magazine, and were nominated for 2017 Group Of The Year at the Juno Awards and the CCMA Awards! Perhaps most triumphant of all: their multi-instrumentalist Jordan Honsinger has been added to Radial’s artist roster! Radial Artist Relations… Read More


Fan of the videos on Well, there’s a little Radial behind the scenes…

November 17th, 2017

In 2015 when Kai Narezo, flamenco guitarist and video producer, was auditioning new recording gear for his gig with, he reached out to Radial to talk 500 series. Narezo’s challenge was to source gear that would faithfully represent not just the nuance of every performance, but the truest representation of the sound coming each… Read More